![]() ![]() Then create sync markers from each Pluraleyes project using my Microsoft Excel Macro file. ![]() In my workflow, a Pluraleyes project is made for each camera or group of cameras that share the same frame rates and sync to the same extra audio recording. footage in spanned files or you don't like how EDIUS splits the stereo tracks into separate left & right tracks when importing from an XML or AAF project, you could try my workflow using sync markers. If you are having trouble with importing the XML sync sequence, e.g. rounding up or down the decimal calculation to a complete frame. You will sometimes find clips out of sync by 1 or 2 frames because both Pluraleyes and EDIUS timelines work only with frames instead of milliseconds making the framerate conversions less accurate, e.g. Start a 25p project in EDIUS and import the XML file from the sync folder. Then add or import the 50p footage, followed by any external audio recordings. You should import or add the 25p footage first (top track) so the export XML project is 25p. ![]() When syncing mixed framerates you must first import the media to Pluraleyes using the Add Media button. I have successfully sync 50i with 50p footage the last 6 years now. This is why playback speed is halved and why you can't sync the timecode. You will see 50 frames over 2 seconds instead of 1 second. Hi, changing the clip properties to a slower native framerate e.g. ![]()
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